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SUPER8 SOUND RECORDER USER'S MANUAL
I INTRODUCTION
II THEORY AND OPERATION OF THE SUPER 8 SOUND RECORDER
A A CONVERTED QUARTER-INCH TAPE RECORDER
B SERVO-ELECTRONIC SPEED CONTROL
C. THE ERROR SIGNAL, NEGATIVE FEEDBACK, MASTER & SLAVE
D WHAT THE SYNC METER SHOWS
E HOW TO SET THE SYNC METER AND PRESET THE SPEED MEMORY
F LOADING THE RECORDER WITH MAG FILM
III BASIC APPLICATIONS OF THE SUPER 8 SOUND RECOROER
A. ON LDCATION - CABLED TO A CAMERA
B. ON LOCATION - WITH A CRYSTAL CAMERA
C IN THE LAB - AS A RESOLVER
D IN THE LAB - MAKING A SAFE COPY
E ON THE EDITING BENCH - AS AN AMPLIFIER
F IN THE SCREENING ROOM - DOUBLE-SYSTEM PROJECTIDN
G IN THE STUDIO - MULTIPLE SUPER 8 SOUND RECORDERS
H IN THE STUDIO - WITH MULTIPLE TRACK QUARTER-INCH TAPE RECDRDERS
I IN THE STUDIO - DUBBING, LINE REPLACEMENT
J IN THE LAB - TRANSFER TO MAGNETIC EDGE STRIPE
K IN THE LAB - TRANSFER FROM SINGLE-SYSTEM STRIPED FILM
L IN THE LAB - TRANSFERS TO VIDEO
IV UNUSUAL USES
A l8fps AMATEUR SPEED
B MANUAL SYNC TRANSFERS FROM SYNC TAPES WITH SYNC DROP-OUTS
C USE WITH 16mm CAMERAS AND PROJECTORS
D USING THE INTERNAL MICROPHONE FOR SLATES
E START/STOP OPERATION FROM A CAMERA
F MECHANICALLY INTERLOCKING THE SUPER 8 SOUND RECDRDER
G TRANSFERRING MORE THAN 19 MINUTES OF MAG FILM
APPENDICES
A LIST OF COMPATIBLE SYNC CAMERAS
B LIST OF COMPATIBLE SYNC RECORDERS
C SYNC SOCKET SCHEMATIC DIAGRAM
D STANDARD TRACK POSITIONS ON SUPER 8 MAG FILM
E LEADER START MARKS
F TROUBLE SHOOTING CHECK LIST, SERVICE PROCEDURE
G TECHNICAL SPECIFICATIONS FOR THE SUPER 8 SOUND RECORDER